It can be the occasion to see Federico Bernardeschi consecrated in a role that perhaps has always been his. And it was not worth imagining either an offensive midfielder or an external attack. As an attacking midfielder, if, as everything suggests, he will be reconfirmed in such a capacity given the non-exceptional form of Ramsey, he has everything to break through once and for all and convince Sarri to keep this scheme as a reference form. He misses, we say it in a whisper, a pinch of malice. Especially in the phase that should be more his. Because the Bernardeschi of today is appreciated, for those who have the tools, especially for the dirty work he does on his opponents. Irritates, on the other hand, the lack of determination with which he approaches shooting, at the door in front of him. Without scoring, he can still be a great player, but not a great 10. How he dreams, as he was promised in the summer (speeches that seem to be very distant now, with Dybala treating the renewal). How deserving it would be if he put that extra money into it.
Mutatis mutandis, forgive the latinorum, more or less similar considerations apply to Paulo Dybala. Excluded from the list of 30 Golden Ball candidates, because he did absolutely nothing in the past season to deserve it. Just so, absolutely right. Yet it is an affront to football, to the most beautiful game in the world. And not because France Football's colleagues are idiots, in fact. They did very well, for the avoidance of doubt: the doubt was not even to be asked, to be honest. The problem is Dybala, who due to the qualities given to him by mother nature has the moral obligation to force any juror in the world to put him on that list of 30. Around the globe there are 4-5 players with the potential of Joya, who has sat down, stopped, lost in the whole camp, lost on the road to become one of the best on the planet. Even his fault, seeing him away from that prize is an affront and at the same time a waste.
A certain Miralem Pjanic will come back at this rate. Enhanced by the game of Sarri, but let's go slowly to remove the merits of those who preceded the Figline coach. Pjanic the director is first and foremost a great intuition of a gentleman named Massimiliano Allegri, the first to imagine him an orchestra conductor of his Juve, more than half a class so much class and little substance as l "http://www.tuttojuve.com/ "ex Lyons had been in the years of Rome. Has Pjanic changed? No, Juve has changed around him. This is the great merit of Sarri, if anything: having made fast what was previously stale, vertical what too often became horizontal. Pjanic was already irreplaceable before the arrival of the former Napoli coach: only we didn't see him all, because too often we have the sight blurred by goals. It has become even more, irreplaceable and central, taking a step forward in his career, because Juventus has modeled itself around him, he has accepted the pace of the game, he has embraced the idea that a second can be taken first , that we can move forward even when it seems unthinkable that it passes you can arrive. Because then, Pjanic simply thinks about it. Perhaps the best director in the world right now. For merits of Sarri, and for merits of Allegri.
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