Sanremo Festival 2020, the early evening plays: Amadeus makes a bang and beats Claudio Baglioni with a 52.2% share. Fiorello: “Minchiaaaaaaaa”

The first episode of Sanremo 2019, the second one by Baglioni, broadcast on Tuesday 5 February, had obtained on average 10,086,000 viewers with the 49.5% share. To be precise, the first part (from 21.16 to 23.56) had obtained 12,282,000 with 49.4% and the second part (from 00.01 to 1.14) had conquered 5,120,000 with 50.1%.

From the television point of view it would be worth saying good first, even if the first one from Sanremo tradition is never the best. Tensions and emotions do not let go of the brake and the best comes from the second evening onwards. Amadues, however, is shown immediately in the game. Loose, self-deprecating, amused, capable of keeping the rhythm and the reins on a difficult stage. He is simply a professional, he could point out someone, but considering the controversies and the climate of sabotage of the past few weeks, his calm cannot fail to make headlines.

His is a very large festival, aiming at the “medium” to speak to everyone, a push on current events, an eye to the past, the desire to take a step forward. Fiorello warms up the audience in 5 minutes by clock, a simple test perhaps for the matrix but which marks the difference, once again, between him and all the others. He dresses as Don Matteo, jokes throughout the constitutional arch and makes fun of his old friend. Those who feared his invasion of the field will be disappointed for now, there has been but without overdoing it. And the feeling between the two could be the real added value of this 2020 edition.

On the female front, the doubts on the eve remain confirmed: net of any assessment of the female role, the presence for one evening risks the “disposable” effect by not allowing their evolution. Diletta Leotta she is beautiful, a beauty that has only partially happened to her, in a poisonous way on social networks they remind her of cosmetic surgery. She slips on a monologue to forget, her presence on the stage by Ariston certainly does not make you cry out to the scandal but the conductor of Dazn always leaves the feeling of having swallowed the script and having started to recite it.

There Jebreal, which is also subdued, makes us exclaim without too many doubts: a lot of noise for nothing. Her monologue is strong, intense, a little rhetorical but she is moved and the message passes loud and clear. The broad Festival, we said, proudly nationalpopular is enriched by the pop share Tiziano Ferro. He is good and adds to the story, excited and not very speaking, but his presence is destined to grow in power. The first night is always a rehearsal, off the brake and everyone has fun. Al Bano and Romina reassure the audience over but above all they guarantee collective karaoke, less enjoyable, as imaginable, the promotion of the Muccino film, the only way to ensure a strong cast on stage. The first is good, but keep an eye on the schedule and timetables. At the debut the greetings arrived at 1.27 minutes. Prepare the coffee thermos for the other four evenings.

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