The fact that the throne of Giulio Raselli it is absolutely not a bad throne, the tronista is not a hardcover dude, he speaks, he exposes himself, he is likeable, he is unpleasant, he creates situations, he has the hysterical suitors who leaves the studio after three externals (Hi, Giovanna!), that bonazza for which he says he took the scuffia (Hi, Giulia) and the one destined to make the third useless inconvenience until the fourth last episode when then it will be eliminated because "I like you a lot but with the other two I feel something more"(Hi, Irene) … I used to say the fact that despite all the essential ingredients for a good throne, I died one year to look at it means only two things: or I have now inevitably made the quail jump, I said goodbye to youth and at 33 I prefer the Nonny throne, or by now the format of Classic throne it is saturated, exhausted, lacking in appeal, so lacking in appeal that even if a mediocre tronista did a 25% share in normal installments seven or eight years ago, today even the best thrones light a candle to Queen Mary if they exceed 20%.
The fact is that you look at all these little boys and you see them already diluting cloves in their battle, to smear their faces with cremettes that you find equal toEurospin, to fly to Los Angeles for the launch of the new nail clipper of the famous beauty company that does not even know of their existence on this earth. Yes, it is true, feelings can also arise in this context (and several beautiful couples born in the past, even recently, prove it) but perhaps everything is too much. So too that even when a feeling arises this (except for the necessary exceptions of course) gives the feeling of being a simple outline in the middle of the main course (-> the $$$$), so too that in the end you find yourself preferring the poraccy of the Throne over that at least they are clowns for the sheer pleasure of being so and that when they have to make the most of themselves they give a guest to Tripe heaven.
Once these general considerations have been made, let us therefore consider that to look at the Classic throne in the last few years I have been struggling with the algebraic expressions at school, we come to the episode.
Giulio to me it continues to seem an interesting tronista, that is already the Classic throne it is what it is, if in addition the tronista is also a half dried salami like Alessandro Zarino that, for heaven's sake, beautiful but I speak more than him even during the game of silence, the situation becomes unsustainable. TO Giulio I give credit for being able to give rhythm to the episode, then of course his ways may like it or not, but at least you realize it exists, here.
On Giovanna AbateI also had the same feeling:
the girl with ‘the blue eye, the right mouth, the right nose‘(Cit) or did homework and therefore deliberately simulates the behavior of all the most famous courtiers of the past or, worse still, has so little character to be indirectly influenced by his years of vision of Men and women that lead her to behave automatically as she has always seen doing on TV. In any case, the juice does not change: excessive reactions, out of place scenes, exasperated behavior. Now you tell me if it is normal to shrink like this after a handful of outsiders
Come on, but who believes in it. That is reduced to a crying samurai for having seen a new acquaintance and a half-kiss with one you said not to fear. But for charity!
Giulia D’Urso, apart from the potentially revealing surname of obscure omens
she really is a beautiful girl. I find it really beautiful, beautiful, beautiful. I do not know if it is all due to a mother of nature or there is also the generous contribution of father surgeon, but the final result seems to me worthy of note in any case. No wonder the Raselli at first glance he took a hit on the head. Of course, the blow must have taken it all too strong because anyway I found it rather chilling that initiative to compare the shoes because "she can't afford them'… first point in subsequent episodes she will explain that she is not so poor as to be unable to buy those shoes but that perhaps she prefers to spend the money in another way, according to whether she had not even been able to afford them as gifts to the homeless as a present to the homeless seems to me however a bit 'inappropriate (and in bad taste, to be precise), especially considering that you've seen half an hour, here.
On the throne of Giulia Quattrociocche I don't want to dwell on it because then it turns out that I only write offenses, I feel guilty and then I have to rush to confess. Here, we say that the throne of one who speaks like a stevedore of Ostia, will NEVER be interested in me. To the fiftieth "AO"In two minutes I inevitably lose the will to live, I can't help it. That's all for me
And sincerely see so much Daniele Schiavon how much and, above all, Alessandro Basciano (which as a type seems to me light years away from her) to stay there to court her to stay on CanaleFive – because no one will ever convince me that normal men can be attracted to a woman with those changes makes us return to the initial discourse on how much attraction and feeling are the invisible outline of a main course that is completely different. The fact, however, is that of Marco Fantini that parades on the most important catwalks of the world, one out of every thousand never comes, to all of you others it is all a struggle to make at most a deluge of follouers bought, some photos in the swimming pool on horseback of the pink flamingo with the ‘friends of the agency and a leading role in the next highly anticipated video clip Teresa Langella. You do.
Video of the episode: Full episode – External of Giulio and Giovanna – Giulio and Giovanna: restless souls – Giovanna against all – External of Giulio and Giulia I – External of Giulio and Giulia II – External of Giulio and Irene – The anger of Giovanna – External of Giulia and Alessandro – External of Giulia and Daniele – External of Giulia and Cristiano
Unpublished videos: Giulio's meetings – Alessandro's meetings
Source link
https://www.isaechia.it/2019/10/31/uomini-donne-opinione-isa-puntata-trono-classico-311019/
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